“…..If one wishes successfully to write the truth about evil conditions, one must write it so that its avertible causes can be identified. If the preventable causes can be identified, the evil conditions can be fought.”
Writing the truth, Five difficulties, Bertolt Brecht, 1935
It is not a sense of compassion for refugees that is missing in the current refugee crisis. What is missing is the realization of the cause. This is what is needed in order to address the source of the problem. This kind of truth is what the power is afraid of. Actions that inspire a general sense of compassion and imply nothing about the warmongers (the criminals) behind the victims only achieve to create a generalized sense of guilt in society that is useful for the criminals in power: They keep the people in a state of confusion, blaming themselves, while keeping the guilty secure and hidden. Only seeing who is responsible, what is the source of a given situation can enable people to react. Such projects are met with great enthusiasm from the mainstream media media because they provide the power with a valuable service.
Featured picture: A photograph from the #orangevest project of G.Lale (source: themanews)
Happiness is of two sorts, though, of course, there
are intermediate degrees. The two sorts I mean
might be distinguished as plain and fancy, or animal
and spiritual, or of the heart and of the head.
Perhaps the simplest way to describe the difference
between the two sorts of happiness is to say that
one sort is open to any human being, and the other
only to those who can read and write.
The happiness of my gardener is of the same species*;
he wages a perennial war against rabbits, of which
he speaks exactly as Scotland Yard speaks of Bolsheviks;
he considers them dark, designing and ferocious,
and is of opinion that they can only be met by means
of a cunning equal to their own. Like the heroes
of Valhalla who spent every day hunting a certain
wild boar, which they killed every evening but which
miraculously came to life again in the morning,
my gardener can slay his enemy one day without any
fear that the enemy will have disappeared the next day.
Although well over seventy, he works all day and
bicycles sixteen hilly miles to and from his work,
but the fount of joy is inexhaustible, and it is
"they rabbits" that supply it. -The Conquest of Happiness
(1930), Bertrand Russell
*of the sort open to any human being
Featured image: "Russell in 1938" by Unknown - Licensed under
Public Domain via Commons
Robert Hughes, The Shock of The New, Episode 2, excerpt
The spectacle in general, as the concrete inversion of life, is the autonomous movement of the non-living.
—Guy Debord, The Society of the Spectacle
“In the end size doesn’t count. Whether the easel painting is small or big is not the issue. It’s scale that counts, it’s human scale that counts. And the only way you can achieve human scale is by the content.”